more from
Styles Upon Styles

Tracks For Movement

by Vorhees

/
  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      $7 USD  or more

     

1.
2.
3.
Die In 07:36
4.
Sacred Heart 08:04
5.
LOV 04:25
6.
Road 06:38
7.
8.
The Bath 02:14
9.

about

Tracks for Movement charts a course of scores composed for film and dance by New York City’s Vorhees between 2011 - 2018. Vorhees, born Dana Wachs, displays the same emotional aptitude in sound and patient exploration of mood in her solo output as she does in these nine selected compositions.

Minimalism and ambient practices guide these forms, revealing a foundation from which Vorhees casts actors through physical space by powers of repeating, unraveling, and slow rapture. Collected and mastered for the first time and sequenced in chronological order, the songs in Tracks For Movement frame the majesty of Vorhees’ sound outside of their original context, affording a new perspective and appreciation for her work across mediums.

Wachs’ pieces for dance include “Visions of Beauty” (Visions of Beauty, Heather Kravas, 2018); “Of Fossil and Of Facings” (Are We a Fossil, and of Facings?, Molly Poerstal, 2016); “Welcome To The Green Surround” (The Green Surround, Heather Kravas, 2011); “Die In,” “Sacred Heart,” “LOV,” “Road” (Still Life, Morgan Thorson, 2015).

They beckon body echos, a sway or a shake or a slide, gestures born from and bearing joy and the energy of release. Dana composed each piece in the same room as the dancers and choreographers, mirroring and contrasting their work as she created her own. Inspired directly by their movement, Dana worked to find a balance between action and atmosphere, respecting the energy in the room to reveal depths all present could tap.

Her compositions for film -“Tennis. Anyone?”, “The Bath” (Sugar, Kimi Howl Lee, 2017) - expose, color and underscore narrative peaks and troughs with sensitivity, showcasing an emotional intuition of sound manipulation that comes from decades of performing, composing, and engineering music in live and studio environments.

Dana Wachs, live sound engineer for Deerhunter, Cat Power, Jon Hopkins and many others, has written music under her Vorhees moniker for close to a decade, only recently committing her music to wide release. Her first solo record, Black Horse Pike, met the world in 2017. Her second release with Styles Upon Styles, Tracks for Movement, is only available on digital platforms, an unlimited space for uninterrupted, repeated listenings allowing for your own movement to come to form. A small gesture in the early hours or extended explorations of places new or old, Tracks For Movement casts an encouraging glow for your paths, however they unfold.

credits

released February 1, 2019

Welcome to the Green Surround
From “The Green Surround” by Heather Kravas 2012

A Fossil
From “Are We a Fossil, and of Facings?” By Molly Poerstal 2016

Die In
Sacred Heart
LOV
Road
From “Still Life” by Morgan Thorson 2015

Tennis. Anyone.
The Bath
From the film “Sugar” by Kimi Howl Lee 2017

Visions of Beauty redux
From “Visions of Beauty” by Heather Kravas 2018

Album artwork by Bradford Cox

license

all rights reserved

tags

about

Vorhees New York, New York

Vorhees is the nom de guerre of Dana Wachs, an audio engineer, musician, and sound designer based in New York City.

shows

contact / help

Contact Vorhees

Streaming and
Download help

Shipping and returns

Redeem code

Report this album or account

Vorhees recommends:

If you like Vorhees, you may also like: